“VVKWWV” Review: A Comedy That Derails After a Promising Start

Vasan Bala’s ‘Vicky Vidya Ka Woh Wala Video’ (VVKWWV) sets out to deliver a blend of quirky humor and relatable drama, but like a roller coaster, it leaves you exhilarated at first, only to plummet sharply. With a promising setup and a star-studded cast, the film initially captivates with its quirky storyline and witty dialogues but soon loses steam due to its inconsistent direction and overstuffed plot.

What’s It About:

Set in Rishikesh, 1997, the story revolves around Vicky (Rajkummar Rao), a quick-witted mehendi artist, who convinces his new wife, Vidya (Triptii Dimri), to record their intimate moments, inspired by a news article that claims American couples use such tapes to improve their married life. However, chaos ensues when their house gets robbed, and the tape goes missing, triggering a desperate hunt to retrieve the stolen video. Running alongside is a subplot featuring Vicky’s sister, Chanda (Mallika Sherawat), and the investigating officer (Vijay Raaz), adding layers to the chaos.

ALSO READ: ‘Jigra’ Review: A Promise of Emotional Depth Undermined by a Disjointed Script

ALSO READ: Auron Mein Kahan Dum Tha: A Love Story that Drags Through Time

What Works:

VVKWWV starts strong with a hilarious first half, full of punchlines that land perfectly. It promises to be a rib-tickling comedy, reminiscent of Rajkummar Rao’s earlier comedic roles like in ‘Stree’. The chemistry between Rajkummar Rao and Triptii Dimri shines through, and the initial narrative keeps the audience engaged. Rao, known for his impeccable comic timing, delivers laughs with ease, and Vijay Raaz tries to elevate the weaker portions with his charisma. The humor and banter between characters bring the small-town charm to life, making the early part of the film enjoyable.

What Doesn’t Work:

Unfortunately, VVKWWV struggles to maintain its momentum. The second half feels like a different film altogether, with subplots that are either irrelevant or overextended. The introduction of side characters and a strange supernatural twist involving the ‘Stree’ ghost is unnecessary and jarring. It takes the focus away from the central narrative, diluting the core story of Vicky and Vidya’s plight. The writing, led by Raaj Shaandilyaa and Yusuf Ali Khan, becomes increasingly erratic, making the film feel disjointed.

Rajkummar Rao’s character loses the charm that initially draws viewers in, and Triptii Dimri, though promising, ends up sidelined. Mallika Sherawat’s character had potential but remains underutilized, while Ashwini Kalsekar and Archana Puran Singh are given roles that add little to the plot. The film’s attempt to blend humor with drama falters, resulting in a final product that lacks cohesion.

Performances:

• Rajkummar Rao: As Vicky, Rao delivers his trademark charm but can’t fully save the film from its script flaws. His initial energy wanes as the film loses direction.
• Triptii Dimri: She gives a sincere performance as Vidya, but her character fades into the background as the story takes on too many tangents.
• Vijay Raaz: He adds humor and depth to his role, but even his presence can’t bring consistency to the scattered narrative.
• Mallika Sherawat: Her role as Chanda had potential but ultimately fails to leave a mark.

Music:

The soundtrack by Sachin-Jigar is serviceable, complementing the narrative without standing out. Daler Mehndi’s attempt at a nostalgic comeback with “Na Na Na Na Na Re” is enjoyable in parts but doesn’t leave a lasting impression, much like the film itself.

Final Verdict:

‘Vicky Vidya Ka Woh Wala Video’ begins with a bang but struggles to maintain its energy, ending in a disappointing fizzle. Despite a talented cast and a promising premise, the film’s inconsistent narrative and unnecessary subplots prevent it from achieving its potential. It’s a one-time watch for those seeking light humor, but don’t expect the laughter to last.