July 11, 2025: Indian fans are seeing a remade version of James Gunn’s highly awaited Superman as it opens in theaters throughout the world today. The Indian release has undergone a number of changes and cuts by the Central Board of Film Certification (CBFC), including the elimination of a 33-second kiss sequence between Rachel Brosnahan (Lois Lane) and David Corenswet (Superman).
🚫 What Has Been Removed?
The Indian version either completely omits or drastically cuts the love moment in which Superman and Lois kiss in midair that was featured in the global trailer.
Several profanities have been muted.
Early in the movie, another kiss scene was also cut.
Additionally, an eight-second clip of a character making a lewd gesture was removed.
The 33-second sequence was cut short by CBFC members who allegedly objected to the “sensual visual nature” of the mid-air kiss, according to a report by Bollywood Hungama. The sudden cutbacks were noticed by early audiences at the July 9 presentations.
One viewer said, “It felt strange because the cut was really noticeable.”
Another said, “It’s weird to maintain dramatic fight scenes but cut out a kiss.”
⚖️ The Ongoing Discussion in India About Hollywood Censorship
Hollywood movies that have been adapted for Indian audiences have happened before. Recently, the CBFC came under fire for completely changing the context of Brad Pitt’s F1 by turning the middle finger emoji to a fist. The argument about creative censorship in India, particularly with regard to Western films, has been rekindled by these regular changes.
Concerning the Movie
The first film in the DC Universe reboot is James Gunn’s Superman. Starring in the movie:
David Corenswet in the role of Superman
Lois Lane (Rachel Brosnahan)
Key roles were played by Nicholas Hoult, Edi Gathegi, Anthony Carrigan, Nathan Fillion, and Isabela Merced.
The film’s narrative, acting, and contemporary reworking of the Superman mythology have won accolades from critics all over the world.
The More Important Question
Fans and critics alike are questioning if India’s film censorship regulations are still relevant in light of the uncensored violence and the restricted tenderness.