The formidable actor-director duo of Shahid Kapoor and Vishal Bhardwaj returns for their fourth collaboration with O’Romeo, and the first half confirms that their creative synergy remains unmatched.
Released today, February 13, 2026, the film dives deep into the visceral, shadow-drenched world of Mumbai’s underworld, drawing inspiration from Hussain Zaidi’s acclaimed book Mafia Queens of Mumbai.
The narrative centers on Ustara (Shahid Kapoor), a seasoned gangster yearning to trade his life of violence for a peaceful existence. However, the gravity of the underworld pulls him back just as he seeks an exit. Enter Afsha (Triptii Dimri), a woman pushed to the brink of despair, who seeks out Ustara not for protection, but for retribution. Her request is simple yet chilling: a supari to eliminate four men. This encounter sets the stage for a high-stakes drama where grief, vengeance, and a flicker of romance collide.
Visually and tonally, the first half is a masterclass in atmospheric storytelling. Shahid Kapoor’s introduction is a standout “massy” moment, featuring a sharp action sequence set inside a cinema hall. The juxtaposition of brutal combat against the nostalgic backdrop of the song “Dhak Dhak Karne Laga” creates a uniquely cinematic experience. While Shahid balances intensity with a surprising vulnerability, Triptii Dimri delivers a hauntingly grounded performance. Even with a brief cameo, Vikrant Massey leaves a significant mark on the story’s emotional landscape.
Despite its lengthy runtime, the film maintains a brisk pace, blending humor and action with moments of profound sorrow. The tension peaks just before the interval with the introduction of the primary antagonist, Jalal (Avinash Tiwary). As the first half concludes, the pieces are perfectly placed for an explosive confrontation between Ustara and Jalal. If the second half maintains this momentum, O’Romeo is poised to be a landmark entry in the Indian crime-drama genre.