Disha Rojhe

A high-stakes opening clash of the NBA Finals between the San Antonio Spurs and the New York Knicks took a chaotic detour when a spectator breached security to run onto the hardwood. An official league spokesperson confirmed on Thursday that the individual who rushed the floor at the Frost Bank Center during Game 1 in an attempt to snap a selfie with Spurs' sophomore sensation Victor Wembanyama has been arrested and handed a lifetime ban from all NBA arenas.

This time around, he joins forces with a resurgent Bobby Deol for Bandar, a claustrophobic prison drama tracking a spectacular fall from grace. While Indian cinema has seen its fair share of correctional facility sagas, Bandar represents Kashyap’s raw, raw-boned attempt at exploring institutional despair, survival instincts, and the deeply flawed nature of modern justice.

La Albiceleste are officially touching down in North America carrying the ultimate sporting distinction: reigning World Champions. Four years ago, during an unforgettable winter...

Director Buchi Babu Sana’s highly anticipated sports drama Peddi has officially hit the silver screens, sparking an intense, polarizing debate across social media networks. While theater audiences have largely showered praise on global star Ram Charan for his powerhouse physical performance, a massive wave of disappointment has simultaneously erupted online over the writing, framing, and presentation of the film's leading lady, Janhvi Kapoor, who essays the role of Achiyamma.

For anyone walking into director Abhinay Deo’s psychological crime thriller Brown expecting actor Karisma Kapoor to suddenly burst into a high-energy, colorful 90s dance routine, the opening frames serve as a sharp, atmospheric reality check.

The highly anticipated romantic comedy Hai Jawani Toh Ishq Hona Hai has finally made its grand theatrical debut today, setting off a wave of celebration among Bollywood fans. Serving up a vibrant blend of old-school theatrical energy and nostalgic music, the film marks an emotional milestone for Hindi cinema as the final directorial venture of the legendary "No. 1" filmmaker, David Dhawan.