The much-anticipated family entertainer Daadi Ki Shaadi, starring Kapil Sharma, Neetu Kapoor, and debutante Riddhima Kapoor Sahni, has finally reached theaters today, May 8, 2026. Directed by Ashish R. Mohan, the film attempts to blend quirky family dynamics with a late-in-life romance.
However, despite a promising and decent core concept, the execution feels like a long, tedious wedding where the food is cold and the music is out of tune.
The Plot: A 70-Year-Old Bride in Shimla
The story follows Tony (Kapil Sharma), a Delhi-based man whose engagement to Kannu (Sadia Khateeb) is abruptly halted when it is revealed that Kannu’s 70-year-old grandmother, Vimla (Neetu Kapoor), is planning to remarry. Tony’s father breaks off the engagement in protest, leading the couple to travel to Shimla to uncover the truth behind this unconventional wedding. While the premise is intriguing, the narrative struggles to maintain momentum, particularly in a dull first half that fails to establish any real stakes or humor.
Performances: Riddhima’s Debut and Neetu’s Grace
Veteran star Neetu Kapoor remains the highlight of the film, looking radiant and delivering a sincere performance, though the script limits her impact. Kapil Sharma handles the light-hearted moments with his signature ease, yet the “laugh-out-loud” comedy one expects from him is noticeably absent. Sadia Khateeb provides a strong performance in her limited scenes, and South Indian veteran R. Sarathkumar leaves a lasting impression in a well-acted role.
The spotlight, however, is on Riddhima Kapoor Sahni, who makes her acting debut. While she possesses a stunning screen presence, her performance lacks the range needed for a challenging role; her character feels far too similar to her real-life persona seen in Fabulous Lives vs Bollywood Wives. Contrary to some early pre-release comparisons, she still has a significant journey ahead to match the acting depth of her brother, Ranbir Kapoor.
Technical Verdict: Needs Trimming
At a runtime of 150 minutes, the film feels overstretched and would have benefited from tighter editing. The music, barring the track “Senti”, is forgettable, and the background score does little to elevate the bland dialogues and weak emotional beats. Even the breathtaking landscapes of Shimla cannot compensate for a screenplay that lacks depth. Unless you are a die-hard fan of the cast, this is one wedding you might want to skip.